Mysteries rely on the setting to engage the reader - from country house to gritty urban locales to exotic places around the world, readers travel with their favorite detectives. Here are several dark and moody police procedural series that take place in northern England that have been turned into equally engaging television series.
'Vera,' based on the novels by Ann Cleeves, starring the irascible, but highly effective, police detective Vera Stanhope. Vera unflinchingly solves crimes in the windy chill of beautiful Northumberland, UK.
'DCI Banks,' another blunt and edgy police detective, comes to life based on the books by Peter Robinson. Banks solves crimes from the windswept and rainy moors of Yorkshire to the urban areas of Leeds.
Away from the wild moors and urban projects of Northern England, we go to the beautiful university city of Oxford to follow another character whose TV life became more well known than the books.
'Endeavour' imagines the early life of Inspector Morse, the Oxfordshire detective created by Colin Dexter.
The more whimsical comedy-drama, 'Midsomer Murders' is the long-running television series based on Caroline Graham's mysteries. There are more episodes of the television show by far than there ever were of Ms. Graham's books. Ms. Graham's and Mr. Dexter's books are out of print and hard to find, but well worth it if you can track them down.
Off to Scotland for the 'Shetland' series based on the novels of Ann Cleeves: 'Red Bones,' 'Raven Black,' 'Blue Lightening,' 'Dead Water.' Again the beautiful, but at times slightly menacing, landscape and weather makes a perfect backdrop for these mysteries.
To Sweden for more grey, windswept landscapes and a moody detective with 'issues', watch 'Wallander' based on the novels by Henning Mankell.
From mysteries to non-fiction and an urban setting, try 'Call the Midwife' based on the biography of an English midwife in post-war London, written by Jennifer Worth.
On a lighter note, try 'Miss Fisher's Murder Mysteries' based on the Phryne Fisher mysteries by Kerry Greenwood. The intrepid Australian Flapper solves crimes in post World War I Melbourne. The costumes and Victorian architecture are fantastic in this tv series.
Related Resources: Some of these books and movies can be found in our library catalog and some can be found on our downloadable resources listed on our All Things E page.
The 'Shetland' series by Ann Cleeves is now available as a downloadable audiobook from Hoopla. The 'Vera' tv series is also available on Hoopla now. Music from the 'Inspector Morse' series is available on Hoopla.
Several of Henning Mankell's books, 'Call the Midwife' and Ann Cleeves' and Peter Robinson's books are also available on 'eLibraryNJ.'
Showing posts with label Australia. Show all posts
Showing posts with label Australia. Show all posts
Saturday, October 14, 2017
Wednesday, March 23, 2011
Mutant Message Down Under: Hoax or Truth?
Mutant Message Down Under is the story of a white American woman who claims to have gone on a three or four month walkabout in Australia with a group of Aborigines called the Real People, during which time she learns their ways and is mystically transformed into a better person. The book started life as a sales brochure that Morgan wrote when she was selling Ti-tree oil products, then became a self-published non-fiction memoir and finally was picked up by a major publishing house which corrected some factual errors and typos and marketed it, mystically transformed, as fiction. The book became a huge success in the new age market and Morgan made lots of money from the book and from lecture tours, but after a while there arose a controversy about the authenticity of the story. A group of Aborigines travelled to the United States to confront the author and to ask her to admit, not only that the work was completely fabricated, but also highly insulting to Australia's native people. Morgan did apologize, but later retracted her apology and wrote a sequel of sorts.
Many people recommended this book to me over the years so when I started reading it several things surprised me immediately. The book is very badly written. The story is completely, transparently incredible in the true sense of the word. The author's attitude towards Aborigines is very condescending, but wrapped in a kind of 18th century "noble savage" guise. It really is awful dreck, but yet, may people I know loved it.
You can easily find websites that both praise and debunk the book. In addition to reading what is available by "Googling", I searched on EBSCO and found a scholarly article from an Australian academic journal that gives the facts of the case*.
Here are a few passages from the book that made me question the whole premise of Marlo Morgan's adventure in Australia:
In her forward, "I have saved you a trip the public library by including important historical information....What I can't save you from is the Mutant message!" (xiii) In fact, the book has no information about Australia that could not be gleaned from a Qantas ad and for Morgan to equate what she provides as sufficient research is rather condescending towards the reader, I thought.
In the beginning, the author meets a fortune teller who intones "the reason you have come to this place... is destiny." (33-34) Morgan has a very inflated view of herself as the appointed person to carry a message from the Aborigines to the rest of the world, but arrogance is one thing, belief in the fortune teller that no one else sees in the tea room, is just silly and, perhaps worse, a terrible literary cliche.
She describes the country and people with tourist brochure superficiality and then adds, "There was only one thing about the country I did not enjoy. It appeared to me the original people of the land, the dark-skinned natives called Aborigines, were still experiencing discrimination." (35) This would have been in the mid 1980's perhaps, so conditions and legal protections for Aborigines were worse then than now, but it just sounds naive and condescending to say she did not "enjoy" the discrimination as though the rest of the world does enjoy it or does not notice it. Let's just say that sentence would have been red-pencilled as "awkward" by any English teacher. She claimed earlier in the book that she always read everything about Australia since she was a child, (25) although in interviews and elsewhere in the book, she says she knew nothing about Australia before going there. OK, which is it? Similarly, as she sets out totally unprepared for a very long cross-continental hike, she claims to be both a "bubble bath" person and an outdoorsy person. Her caginess about her health care credentials made me very suspicious, and her obsession with the callouses developing on the soles of her feet, which she describes as "hooves" on the Aborigines (seriously!) and then her description of the natural oils the Aborigine women used to treat it, seems to fit into what I have later pieced together about the author, which is that she might (or might not, she never says) be a chiropodist and she sold Ti-tree oil for its healing properties. Why was she not more forthcoming and specific about the exact nature of her "health care" background? Vagueness in the service of self-aggrandizement is rather suspicious. If you read Cath Ellis' article, you might, probably correctly, conclude that the whole book began as an ad for a foot callous treatment Morgan was selling. It's impressive that snake-oil salesmanship was still alive in the latter part of the 20th century.
The bottom-line here is that if you like new age books with messages about how technologically advanced cultures are ruining the earth and can learn a lot from cultures that are not as technology-dependent, regardless of how badly this message is delivered, you might like this book.If you liked Paul Coelho's the Alchemist and James Redfield's the Celestine Prophecy, you might like this book too.
If, like me, you would agree that technology is not a totally benign force and that we Westerners should not be ethnocentric about our culture, but you don't like to be lectured at in bad prose, and with simple-minded platitudes and downright fabrications of events, you will not like this book. If you tend to be highly empirical and rational and skeptical in your approach to claims that seem unbelievable, you will not like this book.
Reading this did make me think about frauds and hoaxes not only in the world of memoir publishing, but also in the field of anthropology which would make an interesting piece for the blog. Do any of you remember Carlos Castaneda's The Teachings of Don Juan (1968)?
*Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom.
Authors: Ellis, Cath
Source: Australian Literary Studies (University of Queensland, School of English, Media Studies & Art History); 2004, Vol. 21 Issue 4, p150-164, 16p
Many people recommended this book to me over the years so when I started reading it several things surprised me immediately. The book is very badly written. The story is completely, transparently incredible in the true sense of the word. The author's attitude towards Aborigines is very condescending, but wrapped in a kind of 18th century "noble savage" guise. It really is awful dreck, but yet, may people I know loved it.
You can easily find websites that both praise and debunk the book. In addition to reading what is available by "Googling", I searched on EBSCO and found a scholarly article from an Australian academic journal that gives the facts of the case*.
Here are a few passages from the book that made me question the whole premise of Marlo Morgan's adventure in Australia:
In her forward, "I have saved you a trip the public library by including important historical information....What I can't save you from is the Mutant message!" (xiii) In fact, the book has no information about Australia that could not be gleaned from a Qantas ad and for Morgan to equate what she provides as sufficient research is rather condescending towards the reader, I thought.
In the beginning, the author meets a fortune teller who intones "the reason you have come to this place... is destiny." (33-34) Morgan has a very inflated view of herself as the appointed person to carry a message from the Aborigines to the rest of the world, but arrogance is one thing, belief in the fortune teller that no one else sees in the tea room, is just silly and, perhaps worse, a terrible literary cliche.
She describes the country and people with tourist brochure superficiality and then adds, "There was only one thing about the country I did not enjoy. It appeared to me the original people of the land, the dark-skinned natives called Aborigines, were still experiencing discrimination." (35) This would have been in the mid 1980's perhaps, so conditions and legal protections for Aborigines were worse then than now, but it just sounds naive and condescending to say she did not "enjoy" the discrimination as though the rest of the world does enjoy it or does not notice it. Let's just say that sentence would have been red-pencilled as "awkward" by any English teacher. She claimed earlier in the book that she always read everything about Australia since she was a child, (25) although in interviews and elsewhere in the book, she says she knew nothing about Australia before going there. OK, which is it? Similarly, as she sets out totally unprepared for a very long cross-continental hike, she claims to be both a "bubble bath" person and an outdoorsy person. Her caginess about her health care credentials made me very suspicious, and her obsession with the callouses developing on the soles of her feet, which she describes as "hooves" on the Aborigines (seriously!) and then her description of the natural oils the Aborigine women used to treat it, seems to fit into what I have later pieced together about the author, which is that she might (or might not, she never says) be a chiropodist and she sold Ti-tree oil for its healing properties. Why was she not more forthcoming and specific about the exact nature of her "health care" background? Vagueness in the service of self-aggrandizement is rather suspicious. If you read Cath Ellis' article, you might, probably correctly, conclude that the whole book began as an ad for a foot callous treatment Morgan was selling. It's impressive that snake-oil salesmanship was still alive in the latter part of the 20th century.
The bottom-line here is that if you like new age books with messages about how technologically advanced cultures are ruining the earth and can learn a lot from cultures that are not as technology-dependent, regardless of how badly this message is delivered, you might like this book.If you liked Paul Coelho's the Alchemist and James Redfield's the Celestine Prophecy, you might like this book too.
If, like me, you would agree that technology is not a totally benign force and that we Westerners should not be ethnocentric about our culture, but you don't like to be lectured at in bad prose, and with simple-minded platitudes and downright fabrications of events, you will not like this book. If you tend to be highly empirical and rational and skeptical in your approach to claims that seem unbelievable, you will not like this book.
Reading this did make me think about frauds and hoaxes not only in the world of memoir publishing, but also in the field of anthropology which would make an interesting piece for the blog. Do any of you remember Carlos Castaneda's The Teachings of Don Juan (1968)?
*Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom.
Authors: Ellis, Cath
Source: Australian Literary Studies (University of Queensland, School of English, Media Studies & Art History); 2004, Vol. 21 Issue 4, p150-164, 16p
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